![]() Xiao Sheng is a young male character without a beard, but with a beautiful and neat stage presence. ![]() Lao Sheng is a middle-aged or elderly male who always wears a beard and sings aloud on stage. Male roles are further divided into Lao Sheng, Xiao Sheng, Wu Sheng according to their age and status. It is also possible to identify an actor's role by their makeup and costume. After receiving basic training from a young age, actors only play one kind of role in their lifetime, taking into account their own conditions. The audience has to concentrate and use their imagination to complete the performance together with the actors.this is the real pleasure of watching Peking Opera.Ĭharacters in Peking Opera are roughly divided into four categories according to the roles and personalities: Sheng (male roles), Dan (female roles), Jing (painted roles) and Chou (clowns). The audience can interpret the various scenes from the actors' bodies and the movements of the props, and use their imagination to appreciate the performance.īecause it is up to the audience's imagination, the story can unfold in all directions, such as going to another dimension, or instantly changing scenes from a steep mountain to the bottom of a deep valley. For example, a red whip represents a red horse, the movement of a flag represents flowing water, and a handkerchief can be turned around and flattened to represent a plate. Other props include whips, fans, handkerchiefs, and flags held by the actors. Therefore, the stage for Peking Opera is simple, basically one desk and two chairs. In general, Peking Opera has minimal stage sets, and the story is led by the actors' bodies, voices, and performances. But over time, the stage curtain has become a musical that advances the story through song, stage, dance and steps, forming its own cultural characteristics. The scale of the accompanying band was very small, with only a few people, including tuners and percussion instruments. ![]() The original Beijing opera did not use stage curtains or drapes like Japanese Noh music, and the stage set consisted of only a table and chairs. Beijing opera actors dressed in flamboyant costumes, singing beautiful lines and dancing fiercely to the rhythm of light gongs, cymbals and drums.
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